The following was submitted to The Black Vault directly, and the images are used with permission. They are copyrighted to their respective owner.
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The closer I examined it, the more I was convinced that it was a native american representation of a sasquatch-type being. I began to research online, and found that many of the stylistic elements evident in the carving were similar to elements used by traditional First Nations artists of the southern regions of the British Columbia coast.
I contacted Kathy Moskowitz-Strain, a Northern California cultural archaeologist and bigfoot researcher whose postings I had read online. I sent her photos, which she examined and found to be compelling. We subsequently arranged to meet near her residence in Sonora, CA. After personally examining the carving, she recommended that I contact a geologist to see if I could determine what kind of stone was used to make the carving. She also recommended that I try to contact Dr. Roderick Sprague of the University of Idaho, who was considered to be an expert on anomalous carved stone heads that had been found in the late 1800s in the Columbia River Valley. The heads were deemed “anomalous” because they exhibited apelike, rather than human, features.
Initially, I was unsuccessful in contacting Dr. Sprague.
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Then, in May of 2009, at the invitation of Kathy Strain, I brought the artifact to the Yakima Bigfoot Roundup in Yakima, Washington, where Kathy was to be one of the presenters. Kathy graciously allowed me to show the carved head to the participants during her presentation on Native American cultural aspects of the Sasquatch. It made quite and impression, and generated much discussion afterwards. Dr. Jeff Meldrum, Dr. John Bindernagel, and many other notable Sasquatch experts examined it and found it very interesting, though they were understandably cautious in their initial assessment of it.
Since that event, I have continued to research the possible origins of the carving, and have found many stylistic similarities in the cedar masks of the First Nations people, especially the Bella Coola and Kwaiutl.
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I recently send photos to Scott Wolter of America Unearthed, as he is a forensic geologist, and specializes in microscopic examination of grooves etched into stone (i.e., ancient runes) in order to determine whether the grooves demonstrate weathering consistent with great age. As you may know, Scott’s exhaustive study of the Kensington Runestone found conclusively that it was a genuine 14th century artifact, and not an elaborate hoax, as had been claimed for years.
Scott expressed interest in seeing my carved head firsthand, and indicated he would contact me the next time he comes to the West Coast.
Also, First Nations shaman Thomas Sewid was very impressed by the carved head, and indicated he thought it might be the head of a war club or pestle.
Take a look again and don’t hesitate to ask me any questions you may have.
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